--- /dev/null
+/deploy
+*~
+.*.swp
+.hyde_deps
+
+# Mac OS X garbage
+.DS_Store
+
+# Windows garbage
+thumbs.db
+
+.sass-cache
+
--- /dev/null
+FNP CopySpeak.org
+
+Copyright © 2012,2014 Fundacja Nowoczesna Polska <fundacja@nowoczesnapolska.org.pl>
+
+For full list of contributors see content/about.html file.
+
+This is a free cultural work. You can use, modify and redistribute it
+under the terms of any of these licenses:
+
+* Creative Commons Attribution-ShareAlike 3.0 Unported
+ http://creativecommons.org/licenses/by-sa/3.0/
+
+* Free Art License 1.3
+ http://artlibre.org/licence/lal/en/
+
--- /dev/null
+---
+extends: flatpage.j2
+default_block: content
+title: "About"
+---
+
+About
+=====
+
+ }} "Modern Poland Foudation")
+
+This game was created at the workshops held by the Modern Poland Foundation:
+
+* On 27 Nov 2012: Nina Paley, Joanna Woźniak, Marcin Koziej,
+ Marcin Drabek, Radek Czajka, Michał "rysiek" Woźniak,
+ Paweł Stankiewicz and Jarosław Lipszyc.
+* On 31 Jan 2013: Jeremie Zimmermann, Joanna Woźniak, Marcin Koziej,
+ Marcin Drabek, Radek Czajka, Michał "rysiek" Woźniak,
+ Paweł Stankiewicz, Marta Skotnicka, Zbigniew Łukasiak and
+ Jarosław Lipszyc.
+* On 17 July 2013: Krzysztof Siewicz, Maria Świetlik, Jarosław Lipszyc,
+ Marcin Wilkowski, Marta Skotnicka, Marcin Koziej, Radek Czajka,
+ Michał "rysiek" Woźniak, Paweł Stankiewicz and Joanna Woźniak.
+
+We were also inspired by the texts on copyright debate of many authors:
+[Words to avoid](http://www.gnu.org/philosophy/words-to-avoid.en.html)
+by Richard Stallman, essays of Mike Falkvinge (i.e. [Five Basic
+Misconceptions About The Copyright Monopoly And Sharing Of
+Culture](http://falkvinge.net/2013/02/13/five-basic-misconceptions-about-the-copyright-monopoly-and-sharing-of-culture/)),
+[works](//prawokultury.pl/publikacje/) of Konrad Gliściński and others.
+We would like to express our gratitude to all who participated in this
+project, with special regards to Michał "rysiek" Woźniak for
+facilitating the workshops. Anna Czarnecka, Krzysztof Siewicz and
+Joanna Matczuk contributed into final text.
+
+Idea: Jarosław Lipszyc
+Development and Production: Fundacja Nowoczesna Polska (Modern Poland Foundation)
+The [copyspeak.org](/) website was designed and written by Radek Czajka
+© 2012-2013 Modern Poland Foundation and respective authors.
+This work is available under [CC BY-SA](http://creativecommons.org/licenses/by-sa/3.0/)
+or [Free Art Licence](http://artlibre.org/licence/lal/en.)
+Printing: [Trefl](http://trefl.krakow.pl/)
\ No newline at end of file
--- /dev/null
+---
+extends: flatpage.j2
+default_block: content
+title: "How to talk about copyright?"
+---
+
+How to talk about copyright?
+============================
+
+In the copyright debate, it doesn't only matter what we say, but also
+how we do it. Language frames the discussion. Thus it is necessary to
+understand the words we use, their context, and the way they are used
+by others. It may happen that we win this or that battle in the
+copyright war, but if we allow the industry to shape the language
+we think in, the entire war will be lost.
+
+Words are not neutral. They have meanings and connotations. They
+influence our perception of the world, they make ideas meaningful, they
+shape social practices and the law. It might even be said that words are
+more dangerous than arms. It's hard to disagree. For the last 100 years
+or so, the language of the copyright debate was shaped by the industry
+and hardly resisted. There was not much independent insight. Now, most
+of basic terminology introduced into copyright debate undermines the
+rights of the public and supports the interests of a small group of
+beneficiaries: words like "intellectual property", "piracy" or "legal
+access" rule the debate and influence its course. The current state of
+the law would be different, if we had been using terms like
+"intellectual monopoly", "infringement" and "users rights" in the past
+instead. Policy makers and industry lobbyists try to impose their
+language onto the minds of the people. And what we do? We surrender.
+Scholars and copyfighters seem careless in their choice of words. We
+intend to change that. We intend to make you think about the meaning of
+words and influence your speaking habits. You may disagree with some or
+all of our opinions. However, we will be more than happy if we make you
+think more critically, consciously and carefully while using copyright
+language. Enjoy!
+
+Jarosław Lipszyc
\ No newline at end of file
--- /dev/null
+{% extends "index.j2" %}
+
+
+{% block intro1title %}How to talk <span class="next">about copyright?</span>{% endblock %}
+
+{% block intro1 %}
+<p>We intend to make you think about the meaning of words and influence
+your speaking habits. You may disagree with some or all of our opinions.
+However, we will be more than happy if we make you think more
+critically, consciously and carefully while using copyright language.
+Enjoy!</p>
+
+<p><a href="/how-to-talk"><strong>read more</strong></a></p>
+{% endblock %}
+
+
+
+
+{% block intro2title %}The game{% endblock %}
+
+{% block intro2 %}
+<p>There are 52 cards in a deck. Each card refers to a single popular word used in the copyright debate.</p>
+
+<p>Even very few people in the conference room using the cards can raise awareness of the importance of the copyright language.</p>
+
+<p><strong><a href="/the-game">Copyright Debate: The Conference Card Game</a></strong></p>
+
+<p>
+ <a href="//nowoczesnapolska.org.pl/about-us/">
+ <img style="margin: 1em 1em 0 0;" src="{{ media_url('img/fnp_small.png') }}" ></a>
+ <a href="http://ceetrust.org/">
+ <img src="{{ media_url('img/logo-trust.png') }}" ></a>
+</p>
+{% endblock %}
+
+
+{% block intro3title %}About{% endblock %}
+
+{% block intro3 %}
+<p>This game was created at the workshops held by the Modern Poland Foundation.</p>
+
+<p><a href="/about"><strong>read more</strong></a></p>
+{% endblock %}
+
--- /dev/null
+@import url(http://fonts.googleapis.com/css?family=Lato);
+
+html, body {
+ margin: 0;
+ padding: 0;
+ height: 100%;
+ background: black;
+ color: #ccc;
+ font-family: Lato;
+}
+
+header {
+ font-size: 16px;
+
+ a {
+ text-decoration: none;
+ color: #ddd;
+ display: block;
+ padding: .5em;
+ float: left;
+
+ &:before {
+ content: url(/media/img/brackets.png);
+ margin-right: .5em;
+ vertical-align:middle;
+ }
+
+ &:hover {
+ color: white;
+ text-decoration: underline;
+ }
+ }
+
+ #buy {
+ padding: 4px 10px 0 10px;
+ float: right;
+ }
+}
+
+.fnp-logo {
+ text-align:right;
+ margin-top: 4em;
+ text-align: center;
+
+ img {
+ height: 4em;
+ }
+}
+
+h1.main {
+ margin-left: 1em;
+ font-size: 5vw;
+ @media screen and (min-width: 45em) {
+ font-size: 2vw;
+ }
+
+ a {
+ color: #ccc;
+ text-decoration: none;
+ &:hover {
+ color: white;
+ text-decoration: underline;
+ }
+ }
+}
+
+#intro {
+ background-color: #222;
+}
+
+
+.card-container {
+ display: block;
+ position: relative;
+ font-size: 4vw;
+ clear: both;
+
+ width: 100%;
+ @media screen and (min-width: 45em) {
+ font-size: 2vw;
+ width: 50%;
+ display: inline-block;
+ }
+
+ .card-dummy {
+ padding-top: 148.39%;
+ }
+}
+
+
+
+.three-container {
+ @extend .card-container;
+ font-size: 4vw;
+
+ @media screen and (min-width: 45em) {
+ font-size: 1.3333vw;
+ width: 33.33%;
+ display: inline-block;
+ }
+}
+
+
+
+.list-card {
+ @extend .card;
+ font-size: 1.5em;
+ padding: 1em;
+
+ display: flex;
+ flex-direction: column;
+ justify-content: space-around;
+
+ ul {
+ column-count: 2;
+ -moz-column-count: 2;
+ -webkit-column-count: 2;
+ column-gap: 1.5em;
+ -moz-column-gap: 1.5em;;
+ -webkit-column-gap: 1.5em;;
+
+ list-style: none;
+ padding: 0;
+ margin: 0;
+ line-height: 1em;
+
+ li {
+ margin-bottom: .6em
+ }
+ }
+}
+
+
+.card {
+ position: absolute;
+ top: 0;
+ bottom: 0;
+ left: 0;
+ right: 0;
+
+ h1 {
+ font-size: 1.5em;
+ margin-top: 1.5em;
+ width: 14.9em;
+ text-align: right;
+ text-transform: uppercase;
+
+ line-height: 1.3em;
+
+ .next {
+ display: block;
+ margin-right: 2em;
+ }
+ }
+
+ a {
+ color: #ccc;
+ text-decoration: none;
+ &:hover {
+ text-decoration: underline;
+ }
+ }
+
+ %body {
+
+ p {
+ font-size: .85em;
+ margin: .5em 0;
+ }
+ }
+ .examples {
+ @extend %body;
+ text-transform: uppercase;
+ text-align: center;
+
+ p {
+ font-size: 1em;
+ line-height: 1.2em;
+ }
+ }
+ .usage {
+ @extend %body;
+ hyphens: auto;
+ -moz-hyphens: auto;
+ }
+ .recommendations {
+ @extend %body;
+ hyphens: auto;
+ -moz-hyphens: auto;
+ }
+
+ .inside-card {
+ margin: 0 5em;
+ }
+
+ .desc-container {
+ display: flex;
+ flex-direction: column;
+ justify-content: space-around;
+ position: absolute;
+ left: 4.75em;
+ top: 6.75em;
+ bottom: 6.75em;
+ right: 4.75em;
+
+ a {
+ color: #ccc;
+ border-bottom-width: 1px;
+ border-bottom-color: #ccc;
+ border-bottom-style: dotted;
+
+ &:hover {
+ color: white;
+ border-bottom-color: white;
+ text-decoration: none;
+ }
+ }
+ a[href^="http://"] {
+ border-bottom-style: dashed;
+ }
+ }
+
+ .right-desc-container {
+ @extend .desc-container;
+ top: 10em;
+ }
+}
+
+.chaotic {
+ background-image: url(/media/img/bg/chaotic.png);
+ background-size: 100%;
+}
+.neutral {
+ background-image: url(/media/img/bg/neutral.png);
+ background-size: 100%;
+
+ color: #555;
+ a { color: #555; }
+
+ .desc-container {
+ a {
+ color: #555;
+ border-bottom-color: #555;
+ &:hover {
+ color: black;
+ border-bottom-color: black;
+ }
+ }
+ }
+}
+.lawful {
+ background-image: url(/media/img/bg/lawful.png);
+ background-size: 100%;
+}
+.info {
+ background-image: url(/media/img/bg/info.png);
+ background-size: 100%;
+
+ color: #656263;
+ a {color: #656263;}
+}
+.empty {
+ background-color: #222;
+}
+
+
+
+$g11: #85db81;
+$g12: darken(#3db814, 10%);
+$g21: lighten($g11, 10%);
+$g22: lighten($g12, 10%);
+.btn {
+ background: #fac878;
+ background-image: -webkit-linear-gradient(top, $g11, $g12);
+ background-image: -moz-linear-gradient(top, $g11, $g12);
+ background-image: -ms-linear-gradient(top, $g11, $g12);
+ background-image: -o-linear-gradient(top, $g11, $g12);
+ background-image: linear-gradient(to bottom, $g11, $g12);
+ -webkit-border-radius: 100%;
+ -moz-border-radius: 100%;
+ border-radius: 100%;
+ border: 1em double white;
+ color: #ffffff;
+ padding: 2em;
+ text-decoration: none;
+ cursor: pointer;
+
+ font-size: 3.75vw;
+ @media screen and (min-width: 45em) {
+ font-size: 1.25vw;
+ }
+}
+
+.btn:hover {
+ background: #fcba58;
+ background-image: -webkit-linear-gradient(top, $g21, $g22);
+ background-image: -moz-linear-gradient(top, $g21, $g22);
+ background-image: -ms-linear-gradient(top, $g21, $g22);
+ background-image: -o-linear-gradient(top, $g21, $g22);
+ background-image: linear-gradient(to bottom, $g21, $g22);
+ text-decoration: none;
+}
+
+
+.text-page-wrapper {
+ background: #ddd;
+ color: black;
+
+ .text-page {
+ max-width: 40em;
+ margin: auto;
+ padding: 3em;
+
+ }
+}
+
+
+footer {
+ margin: 3em 1em 0;
+ font-size: .8em;
+
+ a {
+ color: white;
+ text-decoration: none;
+
+ &:hover {
+ text-decoration: underline;
+ }
+ }
+}
+
+
+%prevnext {
+ display: block;
+ position: absolute;
+ top: 0;
+ bottom: 0;
+ background: rgba(64,64,64,.5);
+ z-index:100;
+ opacity: 0;
+ text-align: center;
+
+ span {
+ position: absolute;
+ top: 50%;
+ margin-top: -.5em;
+ left: 0;
+ width: 100%;
+ color: #000;
+ }
+
+ &:hover, &.active {
+ opacity: 1;
+ }
+
+ font-size: 8vw;
+ width: 16vw;
+ @media screen and (min-width: 45em) {
+ width: 8vw;
+ font-size: 4vw;
+ }
+}
+
+#previous-card {
+ @extend %prevnext;
+ left: 0;
+}
+#next-card {
+ @extend %prevnext;
+ right: 0;
+}
+
--- /dev/null
+<?xml version="1.0" encoding="UTF-8" standalone="no"?>
+<!-- Created with Inkscape (http://www.inkscape.org/) -->
+
+<svg
+ xmlns:dc="http://purl.org/dc/elements/1.1/"
+ xmlns:cc="http://creativecommons.org/ns#"
+ xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#"
+ xmlns:svg="http://www.w3.org/2000/svg"
+ xmlns="http://www.w3.org/2000/svg"
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+ id="metadata3062"><rdf:RDF><cc:Work
+ rdf:about=""><dc:format>image/svg+xml</dc:format><dc:type
+ rdf:resource="http://purl.org/dc/dcmitype/StillImage" /><dc:title></dc:title></cc:Work></rdf:RDF></metadata><defs
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+ pagecolor="#ffffff"
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+ style="fill:#e87817;fill-opacity:1;fill-rule:nonzero;stroke:none"
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+ inkscape:connector-curvature="0" /></g></g></svg>
\ No newline at end of file
--- /dev/null
+document.onkeydown = function(e) {
+ if (!e) e = window.event;
+ var keynum = e.keyCode ? e.keyCode : e.which; // IE vs others
+ switch (keynum) {
+ case 37:
+ var link = document.getElementById('previous-card');
+ link.setAttribute('class', 'active');
+ location.href = link.getAttribute('href');
+ return false;
+ case 39:
+ var link = document.getElementById('next-card');
+ link.setAttribute('class', 'active');
+ location.href = link.getAttribute('href');
+ return false;
+ }
+};
--- /dev/null
+---
+extends: flatpage.j2
+default_block: content
+title: "Copyright Debate: The Conference Game"
+---
+
+Copyright Debate: The Conference Game
+=====================================
+
+There are 52 cards in a deck. Each card refers to a single popular word
+used in the copyright debate. Prepare yourself beforehand: by reading
+the cards before the event and selecting cards containing words you
+expect to be used by the speakers. Every card in this deck has been
+tagged with appropriate alignment: chaotic (red), neutral (yellow) or
+lawful (green). The colors are to distinguish words which should be
+avoided from those which should be used extensively.
+
+If the speaker uses a word to avoid, take the Chaotic (red) card and
+raise it over your head to make a point in the debate. If the speaker
+uses proper wording, take the proper Lawful (green) card to encourage
+him/her and to show your support. Use Neutral (yellow) cards to show
+the speakers that they are navigating murky linguistic waters. Even
+very few people in the conference room using the cards can raise
+awareness of the importance of the copyright language. Share your
+cards with others if you have enough and refer the peers to
+[copyspeak.org](/).
--- /dev/null
+---
+title: access
+alignment: neutral
+---
+
+{% block examples -%}
+
+"We need to work on better access to [copyrighted](/copyright) [content](/content)"
+
+"[Open](/open) access model is taking the lead in scientific publishing"
+
+"The collection is accessible to the public"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+Industries often use this word to describe culture only as a passively consumed commodity, but in fact the right to culture contains both right to access to culture, as well as right to actively participate in culture
+
+Often used in the meaning of "showing", either in original or in digital copy, in galleries, public archives, museums
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Use it with caution. Point out that access is just a part of the right to culture – a fundamental right defined in art 27.1 of UDHR "Everyone has the right freely to participate in the cultural life of the community, to enjoy the arts and to share in scientific advancement and its benefits"
+
+Highlight the point that access alone is not enough – people need to be able to communicate, to [share](/sharing) and create without legal hassles
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: allow
+alignment: chaotic
+---
+
+{% block examples -%}
+
+"It is not allowed to download from the Internet"
+
+"This [license](/license) does not allow the licensee to distribute the [work](/work)"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To give the impression that for any and all uses of a work special [permission](/permission) is required
+
+To establish an unequal relation between copyright holder and participants in culture
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Underline the fact that culture is being created in a communication process between equal parties
+
+Underline that every work builds upon cultural heritage and that development of culture is seriously hampered if legal systems support permission-based models of communication
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: artist
+alignment: chaotic
+---
+
+{% block examples -%}
+
+"Professional artists have to be [protected](/protection)"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To create an illusion that artists are a privileged group whose interests and rights are prioritized over interests and rights of other participants in culture
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Do not agree to differentiate artists and other [creators](/creator), use the neutral term "[authors](/author)"
+
+Do not agree to differentiate works of art and other works, as all creativity deserves equal terms; use the neutral term "[works](/work)"
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: audience
+alignment: neutral
+---
+
+{% block examples -%}
+
+"Hollywood needs to keep up with what audiences need"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To introduce and strengthen a supposedly clear division between active [creators](/creator) and passive recipients
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Avoid the term when referring to areas of culture where the author/audience dichotomy is misleading, in such contexts use "participants in culture"
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: author
+alignment: lawful
+---
+
+{% block examples -%}
+
+"He's the author of the song"
+
+"Everybody is an author"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To attribute a [work](/work) to an individual
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Use it, it is much better than "[artist](/artist)"
+
+Oppose the idea that just by defining oneself as an "author" one deserves special treatment
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: authorized
+alignment: lawful
+---
+
+{% block examples -%}
+
+"Copy from an unauthorized source"
+
+"Authorized copy of a movie"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To describe distribution channels which are controlled directly or indirectly by copyright holders
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Use instead of "[legal](/legal)" when talking about control of distribution channels and not about legal status
+
+Stress that not all copies or uses have to be authorized in order to be legal
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: censorship
+alignment: lawful
+---
+
+{% block examples -%}
+
+"The Copyright Monopoly Was Created As A Censorship Instrument"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To strengthen the message that copyright is being used to limit [freedom](/freedom) of speech
+
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Always point out that [freedom](/freedom) of speech is a crucial democratic value and should be put before monetary interests of copyright holders
+
+Point out that copyright-based censorship is currently being executed without judiciary overview (i.e. removing videos from platforms due to copyright [infringement](/infringement)) and as such is more dangerous for society
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: commercial scale
+alignment: chaotic
+---
+
+{% block examples -%}
+
+"Each Party shall provide for criminal procedures and penalties to be applied at least in cases of willful trademark counterfeiting or copyright or related rights [piracy](/piracy) on a commercial scale"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To calm individuals by suggesting that enforcement will not apply to them as they are not "commercial entities"
+
+To avoid defining the conditions of [commercial or noncommercial use](/commercial-use) clearly
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Avoid
+
+Insist on clear and unambiguous distinction between for-profit and not-for-profit use, based on factual monetary compensation received
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: commercial use
+alignment: neutral
+---
+
+{% block examples -%}
+
+"Sometimes it's hard to distinguish between commercial and non-commercial use of copyrighted [works](/work)"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+Sometimes used as a criterion to determine copyright [infringement](/infringement)
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Point out that clearly defining what constitutes commercial use and what is still considered non-commercial use is not possible
+
+Use in connection with gaining profits
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: commons
+alignment: neutral
+---
+
+{% block examples -%}
+
+"Tragedy of the commons"
+
+"Creative Commons"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To imply that works are property and cultural commons, as the physical commons, need to be protected
+
+To suggest that cultural commons can be "overused"
+
+To suggest a divide in culture between the "commons" and some other works of art that did not enter the commons, when in fact all culture is the commons
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Use it with caution; be aware of physical property connotations
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: community
+alignment: lawful
+---
+
+{% block examples -%}
+
+"[Free](/free) culture communities are fueled largely by passion, personal interest, and self-motivating forces"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To strenghten the notion that [culture](/culture) is a social activity
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Use it. Underline that suppressing [sharing](/sharing) and [remix](/remix) suppresses communities
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: consumer
+alignment: chaotic
+---
+
+{% block examples -%}
+
+"Consumers of culture"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To imply physical property, and suggest that culture may be "consumed", "used up"
+
+To imply that culture is a one-way process, originating with author and ending with consumer
+
+To supports the divide of people into active, creative "authors" and passive "consumers" of culture
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Avoid it. Word "[user](/user)" is much better in most cases. Use "[audience](/audience)" instead if you cannot avoid it
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: content
+alignment: chaotic
+---
+
+{% block examples -%}
+
+"[Access](/access) to this content is forbidden"
+
+"[Users](/user) don't want to pay for content"
+
+"[Content generated by users](/user-generated-content)"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+If used instead of the term "a [work](/work/)," it underlines the commercial value and undermines the cultural one
+
+It shows profound disrespect to [authors](/author)
+
+Often used by people who operate the "pipes" and just need "content" (any content) to fill them
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Avoid using that word in the meaning of "[work](/work)"
+
+Pinpoint how disrespectful to [authors](/author) and [culture](/culture) it may be when used
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: control
+alignment: chaotic
+---
+
+{% block examples -%}
+
+"The [author](/author) has the exclusive right to control the exploitation of their [work](/work)"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To white-wash restrictions on access and usage of cultural works
+
+Moral rights are often used to strengthen the position of the [author](/author) on the economic basis
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Highlight that full control over [works](/work) is impossible without total surveillance
+
+Make a point that [copyright](/copyright) system is based on balance between copyright holders and [users](/user) rights
+
+Claim that controlling communication sometimes may mean [censorship](/censorship)
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: copyleft
+alignment: lawful
+---
+
+{% block examples -%}
+
+"This is a copyleft [license](/license)"
+
+"Copyleft guarantees [freedom](/freedom) of [users](/user)"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To describe a [licensing](/license)" tool to ensure [users'](/user) [freedoms](/freedom)
+
+As a humorous subversion of the term "[copyright](/copyright)" – where copyright limits [users'](/user) [freedoms](/freedom), copyleft promotes them
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Use only to describe a specific kind of [licenses](/license) (like GNU GPL or CC BY-SA)
+
+Underline the values of copyleft mechanism
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: copyright
+alignment: chaotic
+---
+
+{% block examples -%}
+
+"Copyright is a rule, [fair](/fair) use is an [exception](/exceptions)"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+Creates an impression that all kinds of copying are restricted
+
+Creates the impression that rights of copyright owners are the only ones that need to be addressed as opposed to [users'](/user) rights
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+We do not have much choice in this area anyway
+
+Make a point that [monopolistic](/monopoly) copyright should always be balanced by extensive set of [users'](/user) rights in [fair](/fair) use or [fair](/fair) dealing and do not have absolute nature
+
+Make a point that copyright is a market regulation, a time-limited [monopoly](/monopoly), and not a moral absolute
+
+Make a point copyright is an [exception](/exceptions) and [public domain](/public-domain) is a rule
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: creator
+alignment: chaotic
+---
+
+{% block examples -%}
+
+"There is a [special bond](/special-bond) between the creator and his [work](/work)"
+
+"Creators shall have [incentives](/incentive) to make their works"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+Usually in the context of new creation (ex nihilo) whereas most of [works](/work) are built upon existing cultural heritage
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Practically every copyrighted work builds upon existing works (either [derives](/derivative) from, or simply is inspired by), hence it is recommended to avoid the term, and use "[author](/author)" or "right holder" (respectively) instead
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: culture
+alignment: lawful
+---
+
+{% block examples -%}
+
+"Right to culture is a human right"
+
+"Copyright should support development of culture"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+The meaning of this term may be fluid and not clearly defined
+
+Generally to describe social aspects of human activity
+
+In some contexts as just "high culture": art, music and literature
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Use it mindfully. The scope of this word is very broad and has a lot of different uses
+
+Make a point that when [sharing](/sharing) of cultural [works](/work) is suppressed, [communities](/community) are stifled
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: derivative
+alignment: lawful
+---
+
+{% block examples -%}
+
+"All creative [works](/work) are derivative"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+The idea of a derivative [work](/work) is based on legal definition of work, but in fact there are no clear borders between inspiration and derivative works
+
+May be used to obscure the fact that all works of [culture](/culture) are based on previous achievements
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Use it with caution
+
+Point out that everything in culture is derivative in some way
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: DRM
+alignment: chaotic
+---
+
+{% block examples -%}
+
+"This [content](/content) is [protected](/protection) by DRM"
+
+"Digital Rights Management helps [protect](/protection) [creators'](/creator) rights"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To indicate that restrictive technologies supposedly serve positive purpose of [protecting](/protection) [authors](/author) by allowing them to [control](/control) the use of their [works](/work)
+
+To conceal that restrictive technologies may prevent lawful uses of works, allowing to exercise excess control over works
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Avoid the term; when used indicate negative consequences of technical restrictions on the use of works
+
+If unavoidable, use "Digital Restrictions Management" as the long form of "DRM" abbreviation (instead of "Digital Rights Management")
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: exceptions
+alignment: chaotic
+---
+
+{% block examples -%}
+
+"Copyright law provides for exceptions that [allow](/allow) using copyrighted works without [permission](/permission)"
+
+"[Fair](/fair) use is an exception to [copyright](/copyright) law"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To indicate that copyright [monopoly](/monopoly) is the rule and any use without permission is an exception to this rule
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Use the term "[users'](/user) rights" instead of the term "exceptions"
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: fair
+alignment: neutral
+---
+
+{% block examples -%}
+
+"Fair use defense against copyright [infringement](/infringement) claims"
+
+"Fair dealing [allows](/allow) using copyrighted material without [authors'](/author) [permission](/permission)"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To suggest that some uses of [works](/work) are unfair
+
+To denote that [copyright](/copyright) [monopoly](/monopoly) is not absolute
+
+Refers to e.g. US (fair use) or UK (fair dealing) constructions of [users'](/user) rights
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Always stress that legal acts of fair use are an integral part of the copyright social contract
+
+Use when referring strictly to respective legal institutions; in a general context use "[users'](/user) rights"
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: flexibilities
+alignment: chaotic
+---
+
+{% block examples -%}
+
+"WIPO will discuss copyright flexibilities for visually impaired people"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+Instead of the term "[exceptions](/exceptions) and [limitations](/limitations)"
+
+To convince that [copyright](/copyright) is elastic enough to comply with other rights (e.g. human right to education, information, free speech)
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Try to use "[users'](/user) rights" whenever possible
+
+Point out that some uses of [works](/work) should be out of the scope of copyright, as opposed to merely being an [exception](/exceptions) or flexibility
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: free
+alignment: lawful
+---
+
+{% block examples -%}
+
+"[Users](/user) want everything for free"
+
+"Free as in ['freedom'](/fredom) not 'free beer'"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To indicate a given [work](/work) can be used without monetary compensation
+
+To indicate a given work is licensed under a permissive, [libre license](http://freedomdefined.org/Definition)
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Use "free” as in “free speech,” not as in “free beer”; indicate this context very clearly to avoid confusion
+
+Use "libre" along with "free" to further stress the [freedom-based](/freedom) meaning
+
+Use "gratis" instead of "free (as in beer)" to clearly demarcate freedoms from monetary cost
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: freedom
+alignment: lawful
+---
+
+{% block examples -%}
+
+"Free [licenses](/license) ensure freedom to use cultural [works](/works)"
+
+"[Authors'](/author) right to [control](/control) the usage of works may be antithetical to freedom of speech"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+As an argument for [copyright](/copyrights) limits
+
+As an argument against [censorship](/censorship)
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Use it in the context of freedom of expression, freedom of speech and freedom of communication
+
+Do not use this word in context of describing author's right to control others (i.e. do not use it instead of "author's privilege")
+
+Make a point that intellectual [monopolies](/monopoly) may restrict freedom to participate in [culture](/culture)
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: incentive
+alignment: chaotic
+---
+
+{% block examples -%}
+
+"Exclusive rights framework provides [creators](/creator) with an economic incentive to create"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To suggest that [authors](/author) will not undertake any creative work without monetary compensation
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Point out that incentives are varied and not always monetary
+
+Use the word "payment" if you mean it
+
+Stress that creativity doesn't usually require monetary incentives
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: information
+alignment: lawful
+---
+
+{% block examples -%}
+
+"Information wants to be [free](/free)"
+
+"Copyright limits free flow of information"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To denote all kinds of data regardless of their legal status
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Use with caution, due to ambiguous meaning of the term in different contexts
+
+Use to denote the importance of free flow of information
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: infringement
+alignment: lawful
+---
+
+{% block examples -%}
+
+"Copyright infringement is the use of [works](/work) infringing the copyright holder's exclusive rights"
+
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To accurately describe unlawful act without suggesting any bad analogies to property rights of material objects
+
+As an ethically neutral term which does not stigmatize copyright infringement as "[theft](/theft)" or "stealing"
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Use it always instead of "stealing" and "[theft](/theft)"
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: intellectual property
+alignment: chaotic
+---
+
+{% block examples -%}
+
+"We need to [protect](/protection) intellectual property"
+
+"Intellectual property is regarded as a condition for innovation"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+As an umbrella term for different areas i.e.: trademarks, patents, copyrights
+
+If used instead of the term [copyright](/copyright), it makes the discussion unclear
+
+To suggest that intangible assets can be treated as tangible ones
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Do not use, promote the term "intellectual [monopolies](/monopoly)" instead
+
+Always discern between copyright and industrial rights (patents, trademarks)
+
+Make a point that copyright is a time-limited monopoly to an intangible object
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: investment
+alignment: chaotic
+---
+
+{% block examples -%}
+
+"[Authors](/author) and publishers have to have ways to [protect](/protection) their investment"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To suggest that every cultural activity is intrinsically commercial
+
+To establish a criterion of quality of art based on purely commercial terms ("quality art" is what offers best "return of investment")
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Avoid in the context of [culture](/culture) and creativity
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: legal
+alignment: chaotic
+---
+
+{% block examples -%}
+
+"There are many legal offers of [content](/content) on the Internet"
+
+"We shall promote legal sources of culture"
+
+"This copy is not legal"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To suggest that some of [culture](/culture) sources are not legal, and by extension that some kinds of cultural [works](/work) or culture per se might be illegal
+
+To create a conviction that participation in culture may have dangerous legal consequences
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Clearly state the value of informal circulation of culture
+
+Insist that the only thing that can be considered illegal are certain acts concerning cultural works, never the works themselves
+
+Point out that suggesting that certain cultural works are illegal is tantamount to proposing [censorship](/censorship)
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: license
+alignment: lawful
+---
+
+{% block examples -%}
+
+"You need a license to distribute this [work](/work)"
+
+"This is a [Free](/free) [Culture](/culture) License"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+As a neutral legal term in the context of giving [permissions](/permission) to users
+
+By industries as suggesting that all uses of the work require consent of the copyright holder
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Underline that licenses granted by the copyright holder cannot overrule statutory [user's](/user) rights
+
+Differentiate clearly between [free](/free) [culture](/culture) licenses and more restrictive ones (such us some of the Creative Commons licenses)
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: limitations
+alignment: neutral
+---
+
+{% block examples -%}
+
+"[Exceptions](/exceptions) and limitations of [copyright](/copyright) and related rights vary from country to country "
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To describe [user](/user) rights, but without recognizing them as a balance to [monopolies](/monopoly), rather as exceptions to a rule
+
+This word has a positive side effect of communicating that exclusive rights always have their limits and are not absolute
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Talk about "[users'](/user) rights" instead
+
+It may be a little bit better than "[exceptions](/exceptions)" and "[flexibilities](/flexibilities)"
+
+Avoid using the phrase "exceptions and limitations"
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+extends: word.j2
+listable: true
\ No newline at end of file
--- /dev/null
+---
+title: monetization
+alignment: chaotic
+---
+
+{% block examples -%}
+
+"[Creators](/creator) should be able to monetize their [works](/work)"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To indicate and underline the supposedly commercial character of all cultural creativity
+
+To strengthen the division of "professional [creators](/creator)" that are able or entitled to "monetize" their works and "amateurs"
+
+To establish a criterion of quality of art based on purely commercial terms
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Avoid, use more direct terms ("commercialization", "selling", "payment") instead
+
+Insist on using non-monetary criteria of evaluating quality of art
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: monopoly
+alignment: lawful
+---
+
+{% block examples -%}
+
+"Intellectual monopolies are hurting [culture](/culture)"
+
+"Monopoly granted to the [author](/author) is a foundation of the [copyright](/copyright)"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To support the notion that [public domain](/public-domain) is a rule and copyright is an exception
+
+Was prominent in copyright debate, but was replaced by the word "[property](/property)" recently, especially in "[intellectual property](/intellectual-property)"
+
+In liberal ideology "property" is good and "monopoly" is bad, so liberals may see it as derogatory
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Use it whenever you can to legitimize the rights of the public
+
+Always try to use phrase "intellectual monopolies" instead of "[intellectual property](/intellectual-property)"
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: open
+alignment: chaotic
+---
+
+{% block examples -%}
+
+"This [work](/work) is openly available on the Internet"
+
+"This [work](/work) is open, available under [CC BY-NC-ND](http://creativecommons.org/licenses/by-nc-nd/4.0/)"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+In different meanings by different actors in different contexts
+
+In opposition to closed models of distribution of cultural works
+
+Sometimes to blur the lines between [free](/free) (as in [freedom](/freedom)) and non-free [licenses](/license)
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Be careful of the context in which this word is used
+
+Where possible, talk about [users'](/user) rights and freedoms instead of using the word "open"
+
+Always differentiate between [free](/free) [licenses](/license) and open licenses
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: original
+alignment: chaotic
+---
+
+{% block examples -%}
+
+"His work is truly original."
+
+"Your copy of the software is not original."
+
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To hide the fact that all creative work is dependent on cultural context and create a false image of an [author](/author) creating ex nihilo
+
+As a synonym of "[authorized](/authorized)" or "certified", suggesting that an unauthorized copy is somehow worse or defective
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Make point that even a "[remix](/remix)" can be original
+
+Point out that in digital world label of an "original" is more than often meaningless
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: orphan works
+alignment: neutral
+---
+
+{% block examples -%}
+
+"Orphan work is a copyrighted [work](/work) for which the copyright [owner](/ownership) cannot be found"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To suggest that a work is somehow harmed when an official "[owner](/ownership)" is not identifiable
+
+May obscure the real problem which is long copyright term and lack of copyright register
+
+On positive side it is a term which helped identify and raise awareness about a valid problems of current copyright system
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Use with caution, point out that the problem of orphan works is internal defect of an oppressive [copyright](/copyright) system and unrealistic assumptions it's based on
+
+Stress the point that the real problem is long copyright term and inadequate protection of [public domain](/public-domain)
+
+Make a point that in the real world most of works outside of commercial production quickly become orphaned and usually anonymous works
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: ownership
+alignment: chaotic
+---
+
+{% block examples -%}
+
+"You should not deny the [author](/author) the ownership of their [work](/work)"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To suggest that ideas or their expressions can be owned by somebody
+
+To suggest that distribution of ideas or of their expression needs [control](/control) and regulation
+
+To blur the line between authorship (of works of art) and ownership (of tangible objects)
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Use "authorship" (remembering that works of culture are results of [sharing](/sharing) ideas, are [derivative](/derivative)) instead
+
+Do not agree to the use of "ownership" with regard to intangible objects (ideas, expressions, etc)
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: peer to peer
+alignment: lawful
+---
+
+{% block examples -%}
+
+"You can find anything on peer-to-peer networks"
+
+"Peer-to-peer funds terrorism"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+This word is sometimes avoided by [copyright](/copyright) maximalists because it's clearly a not for profit use
+
+Used to underline the decentralized character of digital [sharing](/sharing)
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Use in positive contexts to underline the culture of decentralized [sharing](/sharing)
+
+Underline that peer-to-peer is an efficient and resilient way of sharing cultural [works](/work)
+
+Underline the fact that peer-to-peer technology is just a neutral tool used to distribute data, the legal status of each act of distribution is a different matter
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: permission
+alignment: neutral
+---
+
+{% block examples -%}
+
+"All rights reserved. You do not have permission to copy or modify this work"
+
+"You need author's permission to use this work"
+
+"You do not have permission to access this information"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+Usage of this word often suggests that [author's](/author) consent is always necessary to use a [work](/work). In fact [flexibilities](/flexibilities) in [copyright](/copyright) law allow for a wide range of uses, thus limiting the author's [monopoly](/monopoly)
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Point out that [users](/user) have certain rights to use works without any permission of the author, as it is a statutory [limitation](/limitations) to the monopoly
+
+Use it instead of the word "buying" in the context of online services that only offer you to pay for a permission to [access](/access) a file instead of a copy of a work
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: piracy
+alignment: chaotic
+---
+
+{% block examples -%}
+
+"Piracy is killing music"
+
+"There is a pirate market of films"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To lump together large, [for-profit](/commercial-use), intentional [infringers](/infringement) with those involved in the act of [sharing](/sharing) of [culture](/culture)
+
+To stigmatize those involved in the act of sharing and hence stifle discussion
+
+As a metaphor of organized illegal activities in the context of [unauthorized](/authorized) copying
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Try to reject this language entirely, use ethically neutral terms such as "copyright [infringement](/infringement)"
+
+Alternatively, agree to use it, but only with regard to for-profit, intentional infringers; do not agree to use it for [sharing](/sharing) of [culture](/culture)
+
+Alternatively, subvert the term to be positively-loaded (a'la Pirate Party)
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: plagiarism
+alignment: lawful
+---
+
+{% block examples -%}
+
+"We need to fight plagiarism and other forms of [IP](/intellectual-property) [theft](/theft)"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+In [copyright](/copyright) debate plagiarism is often purposefully being used as an example for all types of copyright [infringement](/infringement) due to it being universally accepted as reprehensible
+
+Often misleadingly as a synonym for copying
+
+Sometimes is used as an reason to keep [works](/work) from being published
+
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Use it only in right context, which is: falsely taking credit for someone else's work
+
+Always differentiate between plagiarism and other kinds of copyright [infringement](/infringement), because they aren't morally and legally equivalent: copying itself is not plagiarism
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: protection
+alignment: chaotic
+---
+
+{% block examples -%}
+
+"We have to protect [artists](/artist) and our cultural heritage"
+
+"This file is copy protected"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To suggest that copying and distributing of [works](/work) may be "harmful" for the society
+
+To imply danger where none exists, create moral panic
+
+Implies [authors](/author) and [audience](/audience) are adversaries
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Avoid. We need protection from protection. Use "restriction" instead.
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: public domain
+alignment: lawful
+---
+
+{% block examples -%}
+
+"This work has passed into the public domain"
+
+"Document has been published in the public domain"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+Correctly to identify [works](/work) that are not restricted by [copyright](/copyright)
+
+Incorrectly in the context of any [information](/information) that is publicly available
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Promote the word in the correct meaning to rise awareness of the importance of culture not restricted by copyright law
+
+Indicate that not all publicly available materials are [free](/free) (as in [freedom](/freedom)) to use
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: remix
+alignment: lawful
+---
+
+{% block examples -%}
+
+"Remix culture needs new legal solutions"
+
+"Everything is a Remix."
+
+"This is not an [original](/original) work, this is just a remix"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+Seen as a new form of artistic expression
+
+Sometimes seen by industries as a different form of [commercial](/commercial-use) exploitation of a [work](/work)
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Claim the right to remix as an important aspect of [free speech](/freedom)
+
+Make a point that most creative works are based on cultural heritage, thus remix is essential to any creative process
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: sharing
+alignment: lawful
+---
+
+{% block examples -%}
+
+"Sharing is caring"
+
+"Let me share a story with you"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To suggest that certain kinds of [works](/work) can be treated as a commodity
+
+Value comes from sharing
+
+Sharing is a neutral, non stigmatizing word
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Use it [freely](/free) :-)
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: special bond
+alignment: chaotic
+---
+
+{% block examples -%}
+
+"The doctrine of moral rights is based on the idea that [authors](/author) have a special bond with their own creative work"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To underline that recognition of authorship and other moral rights are inalienable
+
+To justify [authors'](/author) overreaching [control](/control) over how a [work](/work) can be modified and used
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Avoid
+
+When used explain that while special bond is the idea underlying the construction of moral rights, such rights might be derived from other concepts as well (such as e.g., protection against libel)
+
+Try to refer to specific moral rights, such as paternity or integrity right
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: theft
+alignment: chaotic
+---
+
+{% block examples -%}
+
+"[Intellectual property](/intellectual-property) theft is a serious problem"
+
+"Copying is stealing"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To stigmatize those involved in the act of [sharing](/sharing) [culture](/culture) and hence stifle discussion
+
+To suggest that intangible assets are somehow tangible, and infinite resources are somehow finite
+
+To suggest that every single [unauthorized](/authorized) copy is a lost sale and lost compensation
+
+To suggest that civil matter of potential [license](/license) [infringement](/infringement) should be handled like a criminal offense
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Do not agree to use the terms "stealing" and "theft" in the context of [unathorized](/authorized), [non-commercial](/commercial-use) copying and [sharing](/sharing) – we have a more appropriate term for this: [unauthorized](/authorized) copying
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: user-generated content
+alignment: chaotic
+---
+
+{% block examples -%}
+
+"This website features user-generated content"
+
+"We build our business on user-generated content"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To suggest that there are two classes of [authors](/author) ("people of culture" and "[users](/user) that generate content")
+
+To classify some [works](/work) as more valuable than others
+
+As an excuse to lower the level of [protection](/protection) to a class of works created by some participants in [culture](/culture)
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Do not agree to the use of this term
+
+Stress that all [works](/work) are equally covered by [copyright](/copyright) laws
+
+Underline that the laws recognize the difference between works and other types of [information](/information), not between "works of art" and "user-generated content"
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: user
+alignment: lawful
+---
+
+{% block examples -%}
+
+"[Free](/free) [culture](/culture) respects the user"
+
+"[User generated content](/user-generated-content)"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+To support the notion that [culture](/culture) is participatory
+
+In some uses it strengthens the idea that users and [authors](/author) are somehow different: "users" cannot be "true authors"
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Use it with caution. In most cases the word "user" is much better than "[consumer](/consumer/)". In some cases the words: "[authors](/author)" or "contributors" can be used instead
+
+In some cases it may be misleading: i.e. "[user generated content](/user-generated-content)"
+
+Supports the notion that "some [authors](/author) are <em>more equal</em> than others"
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+---
+title: work
+alignment: lawful
+---
+
+{% block examples -%}
+
+"Copyrighted work"
+
+"It takes some resources to make a good work of art"
+
+{%- endblock %}
+
+
+
+{% block usage -%}
+
+As a basic notion signifying the subject-matter of [copyright](/copyright)
+
+{%- endblock %}
+
+
+
+{% block recommendations -%}
+
+Unavoidable – it as a basic term and hence must be used
+
+{%- endblock %}
\ No newline at end of file
--- /dev/null
+<!DOCTYPE html>
+{% macro title() -%}
+ {% block title %}{% endblock %}
+{%- endmacro %}
+{% macro site_name() -%}CopySpeak.org{%- endmacro %}
+
+<html prefix="og: http://ogp.me/ns#">
+ <head>
+ <meta name="viewport" content="width=device-width, initial-scale=1, maximum-scale=1">
+ <title>{% block full_title %}{{ title() }} | {{ site_name() }}{% endblock %}</title>
+ <link rel="shortcut icon" type="image/png" href="{{ media_url("img/favicon.png") }}" />
+ <link rel="stylesheet" type="text/css" href="{{ media_url("css/base.css") }}" />
+
+ <meta charset="UTF-8" />
+ <meta property='og:url' content='{% block ogurl %}FIXME LINK TU{% endblock %}' />
+ <meta property='og:title' content='{% block og_title %}{{ title() }}{% endblock %}' />
+ <meta property='og:site_name' content='{{ site_name() }}' />
+ <meta property='og:description' content='{% block og_description %}{% endblock %}' />
+ <meta property='og:type' content='{% block og_type %}website{% endblock %}' />
+ <meta property='og:image' content='{% block og_image %}{% endblock %}' />
+ <meta property='og:locale' content='en_US' />
+ </head>
+ <body>
+ <header>
+ <a href="/">CopySpeak.org: How to talk about copyright?</a>
+
+<div id="buy">
+<form action="https://www.paypal.com/cgi-bin/webscr" method="post" target="_top">
+<input type="hidden" name="cmd" value="_s-xclick">
+<input type="hidden" name="hosted_button_id" value="RCTRCCV5QB3UC">
+<input type="image" src="https://www.paypalobjects.com/en_GB/i/btn/btn_buynow_LG.gif" border="0" name="submit" alt="PayPal – The safer, easier way to pay online.">
+</form>
+</div>
+
+ <div style="clear: both"></div>
+ </header>
+
+ {% block body %}{% endblock %}
+
+ <footer>
+ {% include "footer.j2" %}
+ </footer>
+
+ {% include "piwik.j2" %}
+ </body>
+</html>
--- /dev/null
+{% extends "base.j2" %}
+
+{% block title %}{{ resource.meta.title }}{% endblock %}
+
+
+{% block body %}
+<div class="text-page-wrapper">
+<article class="text-page">
+{% filter markdown %}
+{% block content %}
+{% endblock %}
+{% endfilter %}
+</article>
+</div>
+{% endblock %}
--- /dev/null
+<div style="float: right; margin: -2em 0 1em 2em">
+See you at
+<a href="//copycamp.pl/en/">
+<img style="width: 140px; margin-left: .5em; vertical-align: -.4em" src="{{ media_url('img/copycamp.png') }}" alt="CopyCamp">
+</a></div>
+
+This work is available under <a href="http://creativecommons.org/licenses/by-sa/3.0/">CC BY-SA</a> or
+<a href="http://artlibre.org/licence/lal/en">Free Art Licence</a>.
+
+<div style="clear:both"></div>
\ No newline at end of file
--- /dev/null
+{% extends "base.j2" %}
+
+{% block title %}How to talk about copyright?{% endblock %}
+
+{% block body %}
+
+<section id="intro">
+
+<div class="three-container">
+<div class="card-dummy"></div>
+<section class="card">
+ <h1>{% block intro1title %}{% endblock %}</h1>
+
+ <div class="inside-card">
+ {% block intro1 %}{% endblock %}
+ </div>
+
+</section>
+</div><div class="three-container">
+<div class="card-dummy"></div>
+<section class="card info">
+
+ <h1>{% block intro2title %}{% endblock %}</h1>
+
+ <form action="https://www.paypal.com/cgi-bin/webscr" method="post" target="_top"
+ style="float: right;">
+ <input type="hidden" name="cmd" value="_s-xclick">
+ <input type="hidden" name="hosted_button_id" value="RCTRCCV5QB3UC">
+ <button name="submit" class="btn">
+ Order your<div style="font-size: 2.5em; ">€7</div>deck now!
+ </button>
+ </form>
+
+ <div class="inside-card">
+ {% block intro2 %}{% endblock %}
+ </div>
+
+
+
+</section>
+</div><div class="three-container">
+<div class="card-dummy"></div>
+<section class="card">
+ <h1>{% block intro3title %}{% endblock %}</h1>
+
+ <div class="inside-card">
+ {% block intro3 %}{% endblock %}
+ </div>
+</section>
+</div>
+
+
+</section>
+
+<section>
+<h1 class="main"><a href="#glossary" id="glossary">The glossary</a></h1>
+
+{% for grp, words in site.content.walk_alignment_groups() -%}
+ {% if not loop.first -%}
+ <div class="three-container">
+ <div class="card-dummy"></div>
+ <section class="list-card {{ grp.name }}">
+ <ul>
+ {% for word in words %}
+ <li><a href="{{ content_url(word.url) }}">{{ word.meta.title }}</a></li>
+ {% endfor %}
+ </ul>
+ </section>
+ </div>
+ {%- endif %}
+{%- endfor %}
+
+</section>
+{% endblock %}
--- /dev/null
+<!-- Piwik -->
+<script type="text/javascript">
+ var pkBaseURL = "//piwik.nowoczesnapolska.org.pl/nocas/";
+document.write(unescape("%3Cscript src='" + pkBaseURL + "piwik.js' type='text/javascript'%3E%3C/script%3E"));
+</script><script type="text/javascript">
+try {
+var piwikTracker = Piwik.getTracker(pkBaseURL + "piwik.php", 17);
+piwikTracker.trackPageView();
+piwikTracker.enableLinkTracking();
+} catch( err ) {}
+</script><noscript><p><img src="//piwik.nowoczesnapolska.org.pl/nocas/piwik.php?idsite=17" style="border:0" alt="" /></p></noscript>
+<!-- End Piwik Tracking Code -->
--- /dev/null
+{% extends "base.j2" %}
+
+{% block title %}{{ resource.meta.title }}{% endblock %}
+
+
+{% block body %}
+
+<div class="a-card" style="position: relative">
+
+{% if resource.prev_by_title %}
+<a id="previous-card" href="{{ content_url(resource.prev_by_title.url) }}" title="{{ resource.prev_by_title.meta.title }}"><span>◀</span></a>
+{% endif %}
+
+{% if resource.next_by_title %}
+<a id="next-card" href="{{ content_url(resource.next_by_title.url) }}" title="{{ resource.next_by_title.meta.title }}"><span>▶</span></a>
+{% endif %}
+
+
+<div class="card-container">
+<div class="card-dummy"></div>
+<section class="card front {{ resource.meta.alignment }}">
+ <h1>{{ resource.meta.title }}</h1>
+
+ <div class="desc-container">
+ <section class="examples">
+ {% filter markdown|typogrify -%}
+ {% block examples %}{% endblock %}
+ {%- endfilter %}
+ </section>
+
+ <section class="usage">
+ <p>/used:/</p>
+ {% filter markdown|typogrify -%}
+ {% block usage %}{% endblock %}
+ {%- endfilter %}
+ </section>
+ </div>
+
+</section></div><div class="card-container"><div class="card-dummy"></div><section class="card back empty">
+
+ <div class="fnp-logo">
+ <a href="//nowoczesnapolska.org.pl/about-us/">
+
+
+ <img src="{{ media_url('img/logofnp.png') }}"
+ alt="Modern Poland Foundation">
+ </a>
+ </div>
+
+ <div class="right-desc-container">
+ <section class="recommendations">
+ <p>/recommendations:/</p>
+ {% filter markdown|typogrify -%}
+ {% block recommendations %}{% endblock %}
+ {%- endfilter %}
+ </section>
+ </div>
+
+</section></div>
+
+</div>
+
+
+<script type="application/javascript" src="{{ media_url('js/word_detail.js') }}" charset="utf-8"></script>
+
+{% endblock %}
--- /dev/null
+hyde
+pyScss
+hyde-gzipper
--- /dev/null
+plugins:
+ - hyde.ext.plugins.meta.MetaPlugin
+ - hyde.ext.plugins.meta.AutoExtendPlugin
+ - hyde.ext.plugins.urls.UrlCleanerPlugin
+ - hyde.ext.plugins.meta.GrouperPlugin
+ - hyde.ext.plugins.meta.SorterPlugin
+ - hyde.ext.plugins.structure.FlattenerPlugin
+ - hyde.ext.plugins.css.SassyCSSPlugin
+ - gzipper.GzipperPlugin
+meta:
+ nodemeta: meta.yaml
+urlcleaner:
+ index_file_names:
+ - index.html
+ strip_extensions:
+ - html
+ append_slash: true
+sorter:
+ title:
+ attr:
+ - url
+ filters:
+ source.kind: html
+ meta.listable: true
+ circular: true
+grouper:
+ alignment:
+ sorter: title
+ groups:
+ - name: lawful
+ - name: neutral
+ - name: chaotic
+flattener:
+ items:
+ - source: words
+ target: ""
+gzipper:
+ extensions:
+ - html
+ - css
+ - js
+publisher:
+ default:
+ type: hyde.ext.publishers.ssh.SSH
+ username: prawokultury
+ server: giewont.icm.edu.pl
+ target: /srv/copyspeak.org/www/
+ opts: -r -v --delete
fnp / copyspeak.git / commitdiff
